I recently read the first twenty-five pages of John Le Carre’s The Night Manager, having some thought of re-reading the whole thing. What struck me was the question of whether Le Carre became stylistically more adventurous in his later work, or whether due to his huge commercial success he was freed of editorial restraint. Compare a temporal transition early in Tinker, Tailor, Soldier, Spy:
“It had been from the start a day of travail.”
to one early in The Night Manager:
“Another film cut, and they were traversing the great hall to the tune of “When I Take My Sugar to Tea,” played by Maxie the pianist to two old ladies in gray silk.”
So disconcerting to me, as if Cormac McCarthy abruptly switched to the style of Tom Wolfe. I’m sure he could probably pull it off, but I’m equally sure that he’d never care to.
By the way, a terrific post on Cameron Crowe’s web site about Joni Mitchell in Her Own Words, by Malka Marom: http://www.theuncool.com/2014/11/25/joni-mitchell-in-her-own-words-an-excerpt/#more-9493